It's really enjoyable just to watch him skate around and take his time between tricks. It's a different pace when compared to other professional parts that have multiple clips from 10+ locations. I particularly enjoy the fact that he's really only skating and filming at 2 spots (the DIY foundation plaza in Los Angeles and Paral-lel in Barcelona). The "Whose Line is it Anyway?" voice-dubbing improv in the beginning is hilarious! A good song was chosen for the part (Spoon's "The Way We Get By"). I still enjoy Kerry's part in Mosaic, but Jason Dill's part always stands out in my mind. As a kid, Kerry Getz was my favorite skater, mostly because my friends and I got to meet him and skate the AWS/Habitat training facility for a day. The early-mid 00's is where I really started to pay attention to skateboarding. This is the video that will always get me hyped and ready to go out and skate. I love this part and I have some memories of me skating through South Bay area schools with this song running through my head. The clips that are collected here are all gold and the song is just. The filming is fantastic and I believe it captures the west coast style in a definitive way. Every time I watch his part, I have a tough time deciphering whether he is goofy or regular footed. Guy has an incredible amount of skill and style riding switch. His skateboard repertoire is stacked at such a high level here it's no wonder why this video part is considered one of the greatest ever made. Herbie Hancock's "Watermelon Man", the switch big flip, the pushes toward the front tail on the fence, the endlessly re-playable switch mid-line turnaround, the switch pop shove-it crooked grind, the small wheels and baggy 's the coolest part ever. There is something really special about this part. Guy Mariano had the sickest style in the mid-late 90s.
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